|
| Solo & Ensemble |
|
|
John Max McFarland
Duet for Drumset and Multiple-Percussion
|
|
|
Synergetic
Simpatico is an exploration of the musical possibilities
of two percussion instruments with two very different stereotypes in
the percussion world. The drumset is often construed as a groove-oriented
instrument, playing repeating patterns that create an ostinato for other
instruments to play along to. The multiple-percussion setup is often
looked at in a more contemporary view. The idea of putting together multiple
percussion instruments played by one player has been embraced by the
contemporary concert realm in the form of modern percussion ensemble
pieces and solos, notably pioneered by Stravinsky’s L’Histoire
du Soldat.
This piece will
attempt to break these stereotypes by utilizing the drumset as a contemporary
percussion instrument and showing off the multiple-percussion setup as a
groove-oriented instrument. The piece begins with an explosive introduction
leading into a more contemporary writing approach to the drumset. The second
section contains a fugue-like passage featuring five voices that eventually
play all at once. With a metric modulation to signify the end of the fugal
section, the piece then picks up speed, driving until the end. This last
section demonstrates the groove possibilities of the multiple-percussion
setups.
The name of the
piece is derived from the way each instrument assists the other in breaking
out of their stereotypical mold. This is done through the playing of like
instruments and the use of musical motives and phrasing throughout the piece.
For ambitious
players, Synergetic Simpatico will offer a challenging and rewarding
performance opportunity while providing audiences with an unforgettable experience
of percussive artistry in its most intricate and modern form.
This
piece comes with a full, bound score and includes all individual parts available
for printing on the included CD-Rom.
|
Instrumentation: Drumset
(snare, kick, 4 toms), 4 octabons, timbales, 14" hihat, 13" hihat,
low crash cymbal, 2 splash cymbals, high crash cymbal, 2 ride cymbals,
sizzle cymbal, China cymbal, high and low jam blocks (each w/pedal),
cowbell (w/pedal), bongos, 3 roto toms, concert bass drum, piccolo
snare drum, 3 brake drums, 2 cowbells, log drums (4 pitches), mark
tree, temple blocks. |
Synergetic Reviews
|
|
Tom Morgan
Review in April 2009 edition of
Percussive Notes Magazine
“This duet for drumset and multiple percussion seeks to break the stereotypical viewpoints in which each instrument tends to be utilized. The drumset is used as a contemporary, traditional percussion instrument, and the multiple percussion setup is used in a more groove-oriented way.
The instrumental configurations for each player are quite large. The standard six-piece drumset is augmented with a high set of octabons, timbales, high and low Jam Blocks, and a cowbell (all played with foot pedals), and four cymbals. The multiple setup includes bongos, hi, mid, and low Roto Toms, concert bass drum, piccolo snare drum, brake drums, cowbells, sizzle cymbal, splash cymbal, high and low log drums, mark tree, temple blocks, 13-inch hi-hats, China cymbal, and ride cymbal. Setup diagrams and notation guides are provided.
A recording of the piece and notes on performance are included with the score. This is a high-energy piece involving lots of odd meters (11/8, 17/16, 21/16, 6/4, and 13/16, all within the first nine bars), mixed meters, and some metric modulation. Each player is featured in soloistic passages with the other player accompanying. There are canonic sections that are very effective and complex unisons that are spectacular, often occurring unexpectedly. The conclusion builds to a fff unison that is a fitting ending to the work.
This is a very challenging duet that will require players well grounded in 21st century rhythmic devices. It would be an exciting addition to any percussion recital or percussion ensemble concert.”
|
Add your review here |
|
|
|
|
|
|
|