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M.C. Escher’s Ascending and Descending (1960) depicts a series of faceless figures trudging up and down never-ending stairs. The feelings of disorientation and monotony this visual work conjures in many have been quite cleverly bottled and made palatable in Ceaseless Staircase by Matthew Kilby.
Written for an experienced marimba soloist and percussion quintet, the piece employs various harmonic and rhythmic devices that depict a sense of unending routine; however, Kilby has accomplished this with sparks of musical energy that make it anything but tedious to perform or listen to.
Use of this product is governed by the license terms outlined here.
Solo Marimba — low A (optional low F)
Glockenspiel
2 Vibraphones
Percussion — bongos, djembe, pandeiro (or tambourine), ribbon crasher, snare drum (w/ brushes), water triangle (or triangle w/o water)
M.C. Escher’s Ascending and Descending (1960) depicts a series of faceless figures trudging up and down never-ending stairs. The feelings of disorientation and monotony this visual work conjures in many have been quite cleverly bottled and made palatable in Ceaseless Staircase by Matthew Kilby.
Written for an experienced marimba soloist and percussion quintet, the piece employs various harmonic and rhythmic devices that depict a sense of unending routine; however, Kilby has accomplished this with sparks of musical energy that make it anything but tedious to perform or listen to.
Use of this product is governed by the license terms outlined here.
Solo Marimba — low A (optional low F)
Glockenspiel
2 Vibraphones
Percussion — bongos, djembe, pandeiro (or tambourine), ribbon crasher, snare drum (w/ brushes), water triangle (or triangle w/o water)
