Written for an abbreviated drumset (played while standing) and three semi-resonant metals, the piece uses a series of hemiola-driven rhythmic gestures to weave a complex tapestry of percussive sound.
An even more expansive sequel to its predecessor, The Blue Book - Volume 2 features 56 solos for drumset, multipercussion, snare drum, and marching tenors.
Drawing upon Eli Whitney’s revolutionary invention as inspiration, this unique mulitpercussion solo requires the player to speak, sing, and trigger audio samples.
This is solo also utilizes a multipercussion setup of concert toms, woodblock, sizzle cymbal, and wind gong. It is an ideal selection for percussionists looking for a dramatic and virtuosic timpani solo.
A progressive set of 12 etudes for snare and bass drum, performable as solos or duets. Alternative metronome patterns provide an optional, unique challenge to develop internal pulse.
Duration: varies | Level: Easy to Advanced | Personnel: 1 or 2 players
Using sounds created by instruments, digital audio, and sounds made by the human voice, this piece bears a resemblance to the Japanese "haiku" form of poetry with its 5-7-5 metric scheme.
This is a progressive solo work for steelpan, crotales, digital delay, and pitch shifter. Over ten minutes long, this work is performed completely in real time and loosely depicts a journey through ones imagination.
This solo for djembe requires the drum to be amplified and effected with digital delay. It also calls for a prayer bowl and audio soundscape accompaniment.
Using a configuration of only drums and cymbals, this multi-percussion solo by Indiana-based composer Brian Blume expresses both reverence and intensity.