Written for an abbreviated drumset (played while standing) and three semi-resonant metals, the piece uses a series of hemiola-driven rhythmic gestures to weave a complex tapestry of percussive sound.
An even more expansive sequel to its predecessor, The Blue Book - Volume 2 features 56 solos for drumset, multipercussion, snare drum, and marching tenors.
Drawing upon Eli Whitney’s revolutionary invention as inspiration, this unique mulitpercussion solo requires the player to speak, sing, and trigger audio samples.
This is solo also utilizes a multipercussion setup of concert toms, woodblock, sizzle cymbal, and wind gong. It is an ideal selection for percussionists looking for a dramatic and virtuosic timpani solo.
Using sounds created by instruments, digital audio, and sounds made by the human voice, this piece bears a resemblance to the Japanese "haiku" form of poetry with its 5-7-5 metric scheme.
Using a configuration of only drums and cymbals, this multi-percussion solo by Indiana-based composer Brian Blume expresses both reverence and intensity.
Utilizing a variety of colorful timbres, "Two Days" allows the multi-percussion soloist to make a musical statement with melody laid over single-handed ostinato patterns.